Ralph Byrd returns as Dick Tracy after two films played by Morgan Conway. Byrd knew the character well having played him in Republic serials as the 30s became the 40s. He'd return again for Dick Tracy Meets Gruesome against Boris Karloff and then for the live action TV series in the early fifties. Here he's up against the Claw, a tough villain with a longshoreman's hook for a right hand. The Claw and his cohorts empty a warehouse of expensive furs and take out a night watchman in the process. Tracy does some solid detective work but the bad guys aren't stupid either, contrary to most short detective movies of the era.
There are some great characters here with wild names, as you'd expect from an official entry in the series based on Chester Gould's strip creation. The Claw doesn't just have a claw, he also has a clubfoot, eyes too close together and a dedication that's as admirable as it is deadly. Dick Tracy's eyes on the street are those of a fake blind peddler called Sightless who sells pencils. There's even enthusiastic yet not particularly helpful thespian called Vitamin Flintheart that Ian Keith plays like a cross between Karloff and Vincent Price. Much more helpful is Longshot Lillie the Fence, played by an excellent Bernadene Hayes who reminds very much of a younger Thelma Ritter. A check on her filmography shows that I've seen her in a few movies like Great Guy and The Emperor's Candlesticks but never as a leading lady.
What surprised me most is how tight this one is. Sure, there are highly convenient clues like the Claw leaving scratch marks on the phone dial for Tracy to cut down the possibilities of the number he's calling, but there's also plenty that's far more realistic. It feels a few notches more intelligent than the Charlie Chan I saw last night, however much it's still a flight of fancy. Ralph Byrd is a fine Dick Tracy, though I was never that drawn to what always seemed to be a notably vanilla character, whoever was playing him. Jack Lambert has fun as the Claw but he's no Karloff. This is therefore not up to the next film but works well as a warmup.
New Books!
Apocalypse Later has now expanded from blog to print! My first two books are now available at Amazon and the other usual online stores. Click on the images above or the titles below to visit their pages at amazon.com.
Huh? An A-Z of Why Classic American Bad Movies Were Made
(front cover by Eric Schock of Evil Robo Productions)
Huh? An A-Z of Why Classic American Bad Movies Were Made
(front cover by Eric Schock of Evil Robo Productions)
Features
![]() | I'm climbing the stairway to Cinematic Heaven to review everything in the IMDb Top 250 List, supposedly the greatest motion pictures of all time. Are they really? Find out here. |
![]() | I'm also driving the highway to Cinematic Hell for the awesome folks at Cinema Head Cheese to post a review a week of the very worst films of all time. These are so bad that they make Uwe Boll look good. |
![]() | I'm reviewing everything shown at the International Horror & Sci-Fi Film Festival, now in its 9th year. Here's an index to my reviews of 2013 films and to my reviews of all 2012 films. |
![]() | I'm also going to review everything I can from the Phoenix Film Festival, now in its 13th year. Here's an index to my reviews of 2013 films. |
![]() | I reviewed all films shown at the independent horror film festival, Phoenix FearCon, now in its 5th year. Here's an index to my 2012 festival reviews. |
Wednesday, 14 March 2007
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