Director: Christoph Schlingensief
Writer: Christoph Schlingensief and Oskar Roehler
Stars: Udo Kier, Kitten Natividad, Joachim Tomaschewsky, Johnny Pfeiffer, Jones Muguse, Miklós Koniger and Thomas Chibwe
Index: Weird Wednesdays.
I’ve brought you some weird movies as part of my Weird Wednesdays project, but perhaps I’ll never be able to bring you another one weirder than this, a 1996 art film from German auteur Christoph Schlingensief, rather appropriately called United Trash. I am sure that the director had a serious purpose, namely to provide a socio-political commentary on the failure of the United Nations in Rwanda, but he chose to do it in an incredibly offhand manner. What he delivered was a sort of screwball comedy, in which no taboo is too low to exploit. It’s what you might get if Luis Buñuel took aim at western political and religious power structures and John Waters rewrote his script. If that sounds schizophrenic, it really is. The entire approach screams for analysis, as if there are deep and meaningful metaphors in every scene, but they’re all smothered in faeces and hurled at us by a chimp tripping on acid. The end result is somehow both aberrant and magnetic; we really don’t want to watch at all but we just can’t look away.
Let me introduce you to the key characters and you’ll get the idea. First up is Werner Brenner, a German general working for the United Nations somewhere in sub-Saharan Africa; we’re never told where, but the film was shot in Zimbabwe, so that’s as good a location as any. Brenner, played by Schlingensief regular Udo Kier, who I now see has been superbly described as the ‘Ron Jeremy of cult movies’ because he’s in so damn many of them, is clearly effete Prussian nobility which, to Schlingensief, translates to poor leader, flagrant queen and scat muncher. His wife, Martha, is Kitten Natividad, voluptuous vixen of many a Russ Meyer film, who’s racking up (pun not intended) quite the cult career of her own. She’s a former American hooker, whose debauched past (a twenty year stretch for exhibitionism) has been inexplicably replaced with a sexless present as a bored housefrau. She begins proceedings heavily pregnant and the baby shows up as black as the ace of spades, so that life change surely didn’t happen the way we’re told.