I use a seven point rating system for this site because it seemed to make more sense than some of the other systems I've seen. It uses 4 (OK) as a pivot and ranges up to 7 (Classic) and down to 1 (Abysmal). Here's how it works in a little more detail.
1 - Abysmal | 2 - Bad | 3 - Poor | 4 - OK | 5 - Good | 6 - Excellent | 7 - Classic
4 - OK
4 is the pivot and it simply means OK. OK films are those that may keep our attention from beginning to end but they hold absolutely nothing else for us. There's nothing particularly bad to say but there's nothing particularly good to say either. Also, on occasion an otherwise Good film may have a flaw large enough to warrant a lowering of the rating, or an otherwise Poor film has something notable enough to warrant it raised.
For example, films like Rock 'n' Roll High School (1979), Spencer Tracy's Dr Jekyll & Mr Hyde (1941) or Mortal Kombat Annihilation (1997) are just there. They just exist and there's nothing much to say about them.
5 - Good
This is the first step up the ratings ladder. Good films should have something positive to them to make them something more than just OK. This could be a great acting performance or an interesting plot, or just something that sticks happily in the mind. But good doesn't mean great, and these films are missing much that could have made them great.
For example, average films like Road to Singapore (1940) or The Company of Wolves (1984) raise themselves up through their sheer energy or by particular distinctive performances. Others like The Oklahoma Kid (1939) or Dollar for the Dead (1998) might rate higher if only I could buy into James Cagney or Emilio Estevez as cowboys.
6 - Excellent
These are highly enjoyable films that are well worth watching, but they have something to keep them down from a Classic rating. There might be obvious flaws or just some sense that something is missing. Maybe there's a major plot hole or one performance just let the side down.
For example, Gone with the Wind (1939) and All Quiet on the Western Front (1930) are superb films that nonetheless contain what to me are unforgiveable flaws. Others, like Russ Meyer's highly distinctive Faster Pussycat, Kill! Kill! (1966) and Mudhoney (1966) are wonderful movies that I somehow couldn't bring myself to give a Classic rating to.
7 - Classic
These films are the best of the best, the ones that people should still be talking about years from now. Classics should have either no flaws or at very least only forgiveable ones. They should be the best of their genres, command respect or admiration and contain masterclass direction, acting or cinematography. They should be the sort of films to want to see again, and should bear up or be at least likely to bear up under repeated viewings. All films in the IMDb Top 250 list ought to be Classics, but to my mind many aren't. Keep your eyes peeled for my stroll through the whole list over the course of 2010 to see which.
For example, The Passion of Joan of Arc (1928) and Casablanca (1942) are essentially perfect films with no discernable flaws. The Abominable Dr Phibes (1971) is certainly not perfect but it outdoes itself by bringing a noticeably unique sense of style to its genre and so its flaws are entirely forgiveable.
3 - Poor
This is the first step down from OK. Poor means that there is something actively bad about a film. It may have redeeming features but these don't outweigh the negative. There could be a performance that's too bad to forgive or maybe an OK film just fell apart partway through. Alternatively Poor films could be Bad films with a single saving grace.
For example, films like Mars Needs Women (1967) or Terror of Mechagodzilla (1975) have much to be ashamed of but somehow they're still guilty pleasures. Others are watchable only for one thing, such as Black Dragons (1942) or Murder By Television (1935) which are bearable only because of the presence of Bela Lugosi.
2 - Bad
A Bad film has much to apologise for. However it should have at least something that is positive. Maybe one actor shone above all the rest, or the script was too good for bad actors to do justice to. Perhaps the film is great at one thing, such as action or kung fu sequences or cinematography, but there's nothing else going for it at all.
For example, Maniac (1932) and Resident Evil: Apocalypse (2002) are frankly terrible but the former contains fascinating sequences and ideas that were unheard of in its era and the latter at least has some superb action scenes. On the other hand, some of the principal characters in Simon Sez (1999) were so intensely annoying that they really spoiled what little the film had to start with.
1 - Abysmal
Abysmal films are the worst of the worst. These films usually have no redeemable features at all and could only be appreciated with overdubs from MST3K. On occasion they might have something to say for themselves but have features that are so truly awful that they wipe out everything else.
For instance, films like Reptilicus! (1962) or Santa Claus Conquers the Martians (1964) contain no positive features whatsoever. Other films like Strange Interlude (1932) or Battlefield Earth (2000) have something going for them but whatever that is gets trumped by a single overriding failure. The gimmick of the former backfires so spectacularly that even Clark Gable can't salvage the film, and everything the latter stands for is so entirely ludicrous that I just threw up my hands in despair.
Translating to IMDb Ratings
While this seven point rating system works for me, it isn't a common one. The IMDb uses a ten point system, from one to ten, and I can translate mine across to it easily enough.
My 7-Classic would equal a 9 or 10 at IMDb. The Passion of Joan of Arc would be a 10 but The Abominable Dr Phibes would only be a 9.
My 6-Excellent would become either a 7 or an 8 at IMDb. All Quiet on the Western Front would be an 8 but Faster Pussycat, Kill! Kill! only a 7.
My mid rankings translate easily. A 5-Good would be a 6 at IMDb, a 4-OK would become a 5 and a 3-Poor would equal an IMDb 4.
My 2-Bad would also be a 2 at IMDb but some would reach a 3. Maniac would be a 2 but Simon Sez would be a 3.
Finally, my 1-Abysmal would translate simply to a 1 at IMDb.
Tuesday, 1 August 2000
Wednesday, 26 July 2000
Apocalypse Later Film Festivals

I carefully selected 90 minutes of quality short sci-fi films from around the world, I brought some local filmmakers out for a Q&A, and I finished up with a feature. I also stipulated that the film festival be on the opening night, free of charge and open to the public. I screened to an appreciative crowd and some bought memberships to the con.
This success led to me programming a similar film festival for CopperCon later that year, then no less than eight events in 2014, including a trip to California to present two steampunk sets at San Diego Comic-Fest. I may well exceed that number in 2015 and I'm already planning some of what I'll be doing in 2016.
It certainly keeps me busy and out of trouble but I'm having a blast bringing amazing films to audiences who might otherwise have never seen them. I'm looking forward to expanding to other conventions, other cities and other states.
Here are all the films that I've screened at these various conventions, with titles linking to my reviews and the IMDb pages added for reference. The most recent event is at the top and the earliest at the bottom, with headers breaking up individual sets. FearCon is the only event where I've selected my sets primarily from submissions; almost everything else is researched and programmed by me.
Rating System
1 - Abysmal | 2 - Bad | 3 - Poor | 4 - OK | 5 - Good | 6 - Excellent | 7 - Classic
LepreCon 41 - Phoenix, AZ (Jun 2015) | |||||
Title | Year | H | D | Director | IMDb |
Japanese Doctor Who | 2014 | 4 | 4 | Joshua Kahan | IMDb |
Slipperssssssss | 2014 | 4 | 4 | Tuomas Hakala | n/a |
Focus | 2014 | 5 | 5 | Matt Chesin | IMDb |
Time Trap | 2013 | 6 | 6 | Michael Shanks | IMDb |
The Class Analysis | 2014 | 6 | 6 | Webb Pickersgill | IMDb |
Frank DanCoolo: Paranormal Drug Dealer | 2010 | 5 | 5 | Andrew W Jones | IMDb |
Ouroboros | 2014 | 5 | 5 | Alexander Broderick | IMDb |
Losers | 2013 | 5 | 5 | Carlos del Rosario | IMDb |
Title | Year | H | D | Director | IMDb |
Fortress | 2014 | 5 | 5 | Dima Fedotof | n/a |
Flight Fright | 2015 | 5 | 5 | James Politano | IMDb |
Man vs Woman | 2006 | 5 | 5 | Juan Carlos Vargas | IMDb |
LiFi | 2014 | 6 | 5 | Preston Peterson & Jason Boesch | IMDb |
Step Forward | 2013 | 5 | 5 | Ben Jacobson | IMDb |
Evil Twin | 2013 | 4 | 4 | Christian Pfeil | IMDb |
RomantiCorp: Or How I Learned to Stop Worrying and Love My Computer | 2014 | 5 | 5 | Kirill Kripak | IMDb |
Double Trouble | 2013 | 5 | 5 | Andreas Climent & André Hedetoft | IMDb |
The Developer | 2013 | 6 | 5 | Robert Odegnal | IMDb |
Title | Year | H | D | Director | IMDb |
Chronoscope | 2012 | 4 | 4 | Mario Daoust, Vincent Laurin, Étienne Marcoux & Dominic Remiro | n/a |
Aether: The Rise of Specter | 2015 | 4 | 5 | Drew Hall & Horst Sarubin | n/a |
The Mechanics of Underwear | 2011 | 5 | 5 | Charlotte Bolton | IMDb |
Virus | 2005 | 5 | 5 | Stephen Amis | IMDb |
Sherlock Holmes and the Stolen Emerald | 2013 | 4 | 4 | Céline Terranova | IMDb |
Tempus ex Machina | 2009 | 4 | 5 | Andrew Fogel | IMDb |
Morgan and Destiny's Eleventeenth Date: The Zeppelin Zoo | 2010 | 5 | 5 | Joseph Gordon-Levitt | IMDb |
Valiant | 2014 | 5 | 5 | Robin Phillips | IMDb |
Phoenix Comicon 2015 - Phoenix, AZ (May 2015) | |||||
Title | Year | H | D | Director | IMDb |
Steam Speed | 2014 | 6 | 6 | Andrew Ledenev | n/a |
Tea Time | 2014 | 5 | 5 | J Derek Howard | IMDb |
SPAGHETT-1 | 2009 | 5 | 5 | Adam Varney | IMDb |
The Clocktower | 2008 | 5 | 5 | Cara Antonelli | IMDb |
Tick Tock | 2014 | 5 | 5 | Emma Needell & Jake Sally | IMDb |
The Mechanical Grave | 2012 | 5 | 5 | Jon Keeyes | IMDb |
Jeff Hunt Band - Caravan | 2014 | Katherine Stewart | n/a |
Wild Wild West Con 4 - Tucson, AZ (Mar 2015) | |||||
Title | Year | H | D | Director | IMDb |
Lindsey Sterling - Roundtable Rival | 2014 | Everdream | n/a | ||
Trial of the Mask | 2013 | 4 | 4 | Cory McBurnett & Bill Reichardt | n/a |
Step Forward | 2013 | 5 | 5 | Ben Jacobson | IMDb |
Valiant | 2014 | 5 | 5 | Robin Phillips | IMDb |
Title | Year | H | D | Director | IMDb |
Steam Speed | 2014 | 6 | 6 | Andrew Ledenev | n/a |
Tea Time | 2014 | 5 | 5 | J Derek Howard | IMDb |
Tick Tock | 2014 | 5 | 5 | Emma Needell & Jake Sally | IMDb |
The Clocktower | 2008 | 5 | 5 | Cara Antonelli | IMDb |
Cowboys & Engines | 2015 | 4 | 4 | Bryn Pryor | IMDb |
Title | Year | H | D | Director | IMDb |
Savant - Kali 47 | 2014 | Mike Diva | n/a | ||
The Mechanical Grave | 2012 | 5 | 5 | Jon Keeyes | IMDb |
The Mechanics of Underwear | 2011 | 5 | 5 | Charlotte Bolton | IMDb |
1873: The Insidious Intrigue | 2013 | 6 | 5 | Steve Ziolkowski | IMDb |
Gurdybird - Defiant 'til Tyburn | 2014 | Tamsyn Swingler & Paul Betowski | n/a | ||
Title | Year | H | D | Director | IMDb |
The Deep | 2010 | 5 | 5 | PES | IMDb |
Sherlock Holmes and the Stolen Emerald | 2013 | 4 | 4 | Céline Terranova | IMDb |
SPAGHETT-1 | 2009 | 5 | 5 | Adam Varney | IMDb |
Virus | 2005 | 5 | 5 | Stephen Amis | IMDb |
Jeff Hunt Band - Caravan | 2014 | Katherine Stewart | n/a |
FearCon de los Muertos! - Phoenix, AZ (Nov 2014) | |||||
Title | Year | H | D | Director | IMDb |
Night Mare | 2014 | 5 | 5 | Juan Carlos Camardella | n/a |
Sometimes It Comes | 2013 | 5 | 5 | Félix Llorente | IMDb |
Martyn | 2013 | 5 | 5 | Francesco Picone | IMDb |
Dust Jacket | 2013 | 5 | 5 | Kenneth Miller | IMDb |
Plush | 2011 | 6 | 7 | Ryan Denmark | IMDb |
Ghost Light | 2014 | 5 | 5 | P J Germain | IMDb |
Waterborne | 2014 | 5 | 5 | Ryan Coonan | IMDb |
Special | 2014 | 5 | 5 | Mikeal Burgin | IMDb |
Woodman and the American Woman | 2013 | 6 | 5 | Jesús Hernández | IMDb |
Title | Year | H | D | Director | IMDb |
Hellytubby | 2012 | 5 | 5 | Matt Iseminger | n/a |
Cowboy Ben | 2014 | 5 | 5 | Jon Shaikh & Scott Rawsthorne | IMDb |
Tin & Tina | 2013 | 5 | 5 | Ruben Stein | IMDb |
The Heebie-Jeebies | 2014 | 5 | 5 | Todd Slawsby | IMDb |
Night Guards | 2014 | 5 | 5 | Marko Marinkovic | n/a |
Sector C-17 | 2014 | 5 | 5 | Tim Mattson | n/a |
Mr Dentonn | 2014 | 5 | 5 | Iván Villamel | IMDb |
Helsing | 2014 | 6 | 6 | Ryan Johnston | IMDb |
Bar Talk | 2013 | 6 | 6 | Lowell Northrop | IMDb |
Roulette | 2013 | 6 | 5 | Dídac Cervera | IMDb |
San Diego Comic-Fest - San Diego, CA (Oct 2014) | |||||
Title | Year | H | D | Director | IMDb |
High TNT | 2013 | 4 | 4 | Kevin McGuiness | IMDb |
Tea Time | 2014 | 5 | 5 | J Derek Howard | IMDb |
Valiant | 2014 | 5 | 5 | Robin Phillips | IMDb |
Title | Year | H | D | Director | IMDb |
The Mechanical Grave | 2012 | 5 | 5 | Jon Keeyes | IMDb |
The Wishing Skull | 2013 | 5 | 5 | Ben Juhl | IMDb |
1873: The Insidious Intrigue | 2013 | 6 | 5 | Steve Ziolkowski | IMDb |
Sprocky Spittoon | 2013 | 4 | 4 | Veronique Chevalier | n/a |
FANtasm - Avondale, AZ (Aug 2014) | |||||
Title | Year | H | D | Director | IMDb |
Fhtagn! | 2009 | 5 | 5 | Miguel Santín | n/a |
Closed Quarters | 2014 | 5 | 5 | Bonnie Sowle | IMDb |
All I Think of is You | 2012 | 5 | 5 | Shad Clark | IMDb |
Bar Talk | 2013 | 6 | 6 | Lowell Northrop | IMDb |
Air | 2011 | 5 | 5 | Keir Burrows | IMDb |
Restitution | 2011 | 6 | 5 | Justin O'Neal Miller | IMDb |
Cargols! | 2011 | 5 | 6 | Geoffrey Cowper | IMDb |
Where Terror Sleeps | 2014 | 4 | 4 | Jake Roberts | n/a |
Title | Year | H | D | Director | IMDb |
Bad Taste | 1987 | 6 | 6 | Peter Jackson | IMDb |
Geeks4Good Charity Show for Oakwood Creative Care - Mesa, AZ (Jul 2014) | |||||
Title | Year | H | D | Director | IMDb |
Logan Must Make Star Wars | 2014 | 5 | 5 | Nathan Blackwell | IMDb |
Bar Talk | 2013 | 6 | 6 | Lowell Northrop | IMDb |
Old Jazz | 2012 | 5 | 5 | Elena Albán Lombao, Cintia Fernández Patallo, Josep Miquel Jové Company & Lorena López Pérez | n/a |
Secret Identity | 2011 | 6 | 6 | Tyler MacIntyre | IMDb |
Present Tense | 2013 | 5 | 5 | Jaz Garewal | IMDb |
Jerome Indie Film & Music Festival 2014 - Jerome, AZ (Jun 2014) | |||||
Title | Year | H | D | Director | IMDb |
Red Sand | 2012 | 6 | 6 | Caleb Evans | IMDb |
The Duel | 2012 | 5 | 4 | Robert Garcia | IMDb |
Black Gulch | 2003 | 5 | 5 | Michael Strode | IMDb |
Secret Identity | 2011 | 6 | 6 | Tyler MacIntyre | IMDb |
The Wishing Skull | 2013 | 5 | 5 | Ben Juhl | IMDb |
Gadget | 2012 | 4 | 4 | A J Young | IMDb |
Logan Must Make Star Wars | 2014 | 5 | 5 | Nathan Blackwell | IMDb |
Terminus | 2014 | 5 | 5 | Angel Ruiz | n/a |
Present Tense | 2013 | 5 | 5 | Jaz Garewal | IMDb |
Heart Pumping Oil | 2014 | 5 | 5 | Ben Juhl | IMDb |
Closed Quarters | 2014 | 5 | 5 | Bonnie Sowle | IMDb |
LepreCon 40 - Phoenix, AZ (May 2014) | |||||
Title | Year | H | D | Director | IMDb |
Logan Must Make Star Wars | 2014 | 5 | 5 | Nathan Blackwell | IMDb |
Trial of the Mask | 2013 | 4 | 4 | Cory McBurnett & Bill Reichardt | n/a |
Terminus | 2014 | 5 | 5 | Angel Ruiz | n/a |
Timeholes | 2013 | 5 | 5 | Ben Mallaby | IMDb |
The Secret Keeper | 2011 | 6 | 6 | Bears Fonté | IMDb |
Present Tense | 2013 | 5 | 5 | Jaz Garewal | IMDb |
Elephants Dream | 2006 | 4 | 4 | Bassam Kurdali | IMDb |
Sight | 2012 | 6 | 6 | Daniel Lazo & Eran May-Raz | IMDb |
Evergreen | 2006 | 6 | 6 | Iphigeneia Kotsoni | IMDb |
Wild Wild West Con III - Tucson, AZ (Mar 2014) | |||||
Title | Year | H | D | Director | IMDb |
A Gentlemen's Duel | 2006 | 5 | 5 | Sean McNally & Francisco Ruiz-Velasco | IMDb |
Legacy | 2012 | 5 | 5 | Adam Floeck | IMDb |
Airship Dracula | 2012 | 5 | 5 | Mike Roberts | IMDb |
Invention of Love | 2010 | 5 | 5 | Andrey Shushkov | IMDb |
Consurgo | 2009 | 5 | 5 | Tom Hankins, René Hoekstra & Gijs van Kooten | n/a |
High TNT | 2013 | 4 | 4 | Kevin McGuiness | IMDb |
Sprocky Spittoon | 2013 | 4 | 4 | Veronique Chevalier | n/a |
Title | Year | H | D | Director | IMDb |
Dr Grordbort Presents: The Deadliest Game | 2011 | 5 | 5 | James Cunningham | IMDb |
Gadget | 2012 | 4 | 4 | A J Young | IMDb |
Tinkerbell | 2011 | 5 | 5 | Nicholas Humphries | n/a |
The Anachronism | 2008 | 5 | 5 | Matthew Gordon Long | IMDb |
The Wishing Skull | 2013 | 5 | 5 | Ben Juhl | IMDb |
The Watchmaker's Son | 2008 | 5 | 5 | Brandon McCormick | n/a |
DarkCon 2014 - Phoenix, AZ (Jan 2014) | |||||
Title | Year | H | D | Director | IMDb |
Exoids | 2012 | 6 | 6 | Aristomenis Tsirbas | IMDb |
Perspective | 2011 | 5 | 5 | Mehmet Can Kocak | IMDb |
Consurgo | 2009 | 5 | 5 | Tom Hankins, René Hoekstra & Gijs van Kooten | n/a |
Old Jazz | 2012 | 5 | 5 | Elena Albán Lombao, Cintia Fernández Patallo, Josep Miquel Jové Company & Lorena López Pérez | n/a |
Sebastian's Voodoo | 2008 | 6 | 6 | Joaquin Baldwin | IMDb |
High TNT | 2013 | 4 | 4 | Kevin McGuiness | IMDb |
Retina | 2003 | Violet Suk & Martin Koch | n/a | ||
Reign of Death | 2009 | 6 | 6 | Matthew Savage | IMDb |
ROSA | 2011 | 5 | 5 | Jesus Orellana | IMDb |
The Wishing Skull | 2013 | 5 | 5 | Ben Juhl | IMDb |
Frank DanCoolo: Paranormal Drug Dealer | 2010 | 5 | 5 | Andrew W Jones | IMDb |
The Maker | 2011 | 6 | 6 | Christopher Kezelos | IMDb |
Helsing | 2014 | 6 | 6 | Ryan Johnston | IMDb |
Title | Year | H | D | Director | IMDb |
Eyeborgs | 2009 | 5 | 6 | Richard Clabaugh | IMDb |
CopperCon Revolution - Mesa, AZ (Aug 2013) | |||||
Title | Year | H | D | Director | IMDb |
Freeborn | 2010 | 5 | 5 | Carlo Treviso | IMDb |
Chameleon | 2012 | 6 | 6 | Samuel Lemberg | IMDb |
Ellie | 2012 | 6 | 5 | Ricky Lloyd George | IMDb |
R'Ha | 2013 | 6 | 5 | Kaleb Lechowski | IMDb |
Secret Identity | 2011 | 6 | 6 | Tyler MacIntyre | IMDb |
Doctor Glamour | 2011 | 5 | 6 | Andrew W Jones | IMDb |
Archetype | 2011 | 6 | 6 | Aaron Sims | IMDb |
Tears of Steel | 2012 | 5 | 5 | Ian Hubert | IMDb |
Title | Year | H | D | Director | IMDb |
The War of the Worlds: The True Story | 2012 | 5 | 5 | Timothy Hines | IMDb |
LepreCon 39 - Mesa, AZ (May 2013) | |||||
Title | Year | H | D | Director | IMDb |
Rampage: Project Vermillion | 2012 | 5 | 5 | Justin Calen Chenn | IMDb |
Red Sand | 2012 | 6 | 6 | Caleb Evans | IMDb |
The Duel | 2012 | 5 | 4 | Robert Garcia | IMDb |
Second Chances | 2013 | 4 | 4 | Jon Ray | IMDb |
We are One | 2012 | 5 | 5 | Andrew David Clark | IMDb |
Black Gulch | 2003 | 5 | 5 | Michael Strode | IMDb |
The Guy Knows Everything | 2012 | 6 | 6 | Joops Fragale | IMDb |
Title | Year | H | D | Director | IMDb |
The Constant Epiphanies of Billy the Blood Donor | 2007 | 4 | 4 | Nathan Blackwell | IMDb |
Monday, 24 July 2000
Charlie Chaplin Centennial

A few years ago, a friend of mine experienced something that he found shocking and he shared it with me. I not only found it shocking too, but felt like I should do something about it and the result is this project which will run throughout 2014.
It's all about Charlie Chaplin, the greatest name in film comedy, and just how recognisable he is and was.
Only a couple of years into his career, which began at Keystone Studios one hundred years ago as I write, he had become not only the most recognisable actor in the world but arguably the most recognisable image too. Wherever on the globe you might happen to be, the locals would know the silhouette of his most famous character, the Little Tramp, whom he portrayed in the majority of his films.
Today, a century later, the modern equivalent might be the golden arches of McDonalds, the MTV logo or Mickey Mouse's ears, but surely the Little Tramp hasn't been forgotten? Well, apparently so, as my friend discovered.
![]() | That friend is Jim Politano, a local filmmaker who won an IFP Phoenix Audience Favourite award for his short film Love Sucks and who cast my better half in his thematic follow up, The Sisters of St Mary's. The occasion was the Intro to Cinema class he was attending at Scottsdale Community College (SCC), run by Ed Everroad. The spark was a textbook, Flashback: A Brief History of Film, by Louis Giannetti and Scott Eyman. I have a copy of this book too, but mine is the third edition with Forrest Gump on the cover. The edition Jim had was a custom 2006 edition for SCC with a cover depicting Charlie Chaplin dressed as the Little Tramp and standing next to an old furnace. |
The class Jim was in numbered about thirty, most of them young adults of the sort of age you'd expect to be in a college class but with a handful of mature students too. A dozen or so were working through the film program at SCC. While such students would surely expect to learn something about the history of film in an Intro to Cinema class, you might also expect them to have brought at least a little background with them.
Yet the student in front of Jim turned round and asked him, 'Who is this dude on the cover?' A few of these folk had at least heard of Chaplin but nobody except Jim apparently knew who he was.
That is a scary thought. The Little Tramp has deteriorated from being the most recognisable image in the world to being an unrecognisable 'dude on the cover' of a textbook. The man who did more than anyone to move screen comedy forward from its juvenile slapstick days to something approaching high art has been forgotten by even students in a cinema class. I can hear the collective sigh of classic film fans everywhere at this news. To use a quote the people in this class might have recognised, it's 'as if millions of voices cried out in terror and were suddenly silenced.'
Jim's experience resonated with me for a few years until I realised at the tail end of 2013 that the coming February would mark the centennial of Chaplin's debut on film in the Keystone farce comedy, Making a Living. The time seemed ripe for me to revisit the 36 films he made in 1914 and review them from the perspective of how they evolved over that year because of the new approaches that Chaplin was bringing to the screen.
![]() | Another trigger was the new availability of these films in remastered editions in the Flicker Alley DVD box set, Chaplin at Keystone. This contains all 34 of the extant shorts that Chaplin made at Keystone Studios in 1914 (Her Friend the Bandit is still presumed lost), along with the first American comedy feature, Tillie's Punctured Romance, and half of the recently rediscovered short, A Thief Catcher, featuring Chaplin as a Keystone Kop. Flicker Alley will release the entire short later this year in The Mack Sennett Collection, Vol 1, which I've happily pre-ordered. I'd seen the majority of these films before, but only in public domain prints that are readily available for cheap, or viewable for free online at the Internet Archive or even YouTube. |
Watching them afresh from the Chaplin at Keystone box is a revelatory experience. They're certainly not the classics that Chaplin would go on to make in later years, but they're much better than I could ever have believed from the cheap public domain prints. Now I can see faces and subtleties that bring whole new life and meaning to the films. Even the original intertitles have been restored.
Don't just take my word for it. SilentEra.com has compared the different releases of some of these films and found most seriously wanting. As an example, here's their comparison of versions of Making a Living. Unless someone discovers Her Friend the Bandit or works some sort of new digital magic, Chaplin at Keystone is likely to remain the only recommended release of these films. It can be bought here at Flicker Alley's website.
Flicker Alley did Chaplin's legacy a great service with this box set. Hopefully I can add a little more to that with this set of reviews.
I'm working through them slowly, as if it was 1914 not 2014, and posting each review a hundred years to the day from its original release.
Note: I've now completed this project, which will see book form in January 2015. However, I'll continue to review Chaplin's films on their centennials, beginning with his Essanay films of 1915 and 1916. The next review to post will be His New Job on Sunday, 1st February, 2015.
Here are all the films Chaplin appeared in during 1914, with titles linking to my reviews and the IMDb pages added for reference.
My ratings for films reviewed are from fresh viewings from Chaplin at Keystone. Those for films not yet reviewed are from viewings of public domain prints almost a decade ago. With a third of the films revisited, my ratings have generally increased by a point or two.
Rating System
1 - Abysmal | 2 - Bad | 3 - Poor | 4 - OK | 5 - Good | 6 - Excellent | 7 - Classic
Charlie Chaplin's Films for Keystone | |||||
Title | Year | H | D | Director(s) | IMDb |
Making a Living | 1914 | 3 | 3 | Henry Lehrman | IMDb |
Kid Auto Races at Venice, Cal | 1914 | 3 | 4 | Henry Lehrman | IMDb |
Mabel's Strange Predicament | 1914 | 4 | 4 | Mabel Normand | IMDb |
A Thief Catcher | 1914 | 3 | 3 | Henry Lehrman | IMDb |
Between Showers | 1914 | 4 | 4 | Henry Lehrman | IMDb |
A Film Johnnie | 1914 | 5 | 5 | George Nichols | IMDb |
Tango Tangles | 1914 | 4 | 4 | Mack Sennett | IMDb |
His Favorite Pastime | 1914 | 4 | 4 | George Nichols | IMDb |
Cruel, Cruel Love | 1914 | 4 | 4 | George Nichols | IMDb |
The Star Boarder | 1914 | 5 | 5 | George Nichols | IMDb |
Mabel at the Wheel | 1914 | 4 | 5 | Mabel Normand | IMDb |
Twenty Minutes of Love | 1914 | 4 | 4 | Joseph Maddern & Charles Chaplin | IMDb |
Caught in a Cabaret | 1914 | 4 | 4 | Mabel Normand | IMDb |
Caught in the Rain | 1914 | 5 | 4 | Charles Chaplin | IMDb |
A Busy Day | 1914 | 4 | 5 | Mack Sennett | IMDb |
The Fatal Mallet | 1914 | 4 | 4 | Mack Sennett | IMDb |
Her Friend the Bandit | 1914 | Mack Sennett | IMDb | ||
The Knockout | 1914 | 4 | 4 | Mack Sennett | IMDb |
Mabel's Busy Day | 1914 | 2 | 2 | Mack Sennett | IMDb |
Mabel's Married Life | 1914 | 4 | 4 | Mack Sennett | IMDb |
Laughing Gas | 1914 | 5 | 4 | Charles Chaplin | IMDb |
The Property Man | 1914 | 5 | 4 | Charles Chaplin | IMDb |
The Face on the Bar Room Floor | 1914 | 4 | 4 | Charles Chaplin | IMDb |
Recreation | 1914 | 4 | 4 | Charles Chaplin | IMDb |
The Masquerader | 1914 | 5 | 5 | Charles Chaplin | IMDb |
His New Profession | 1914 | 4 | 4 | Charles Chaplin | IMDb |
The Rounders | 1914 | 5 | 5 | Charles Chaplin | IMDb |
The New Janitor | 1914 | 5 | 5 | Charles Chaplin | IMDb |
Those Love Pangs | 1914 | 4 | 5 | Charles Chaplin | IMDb |
Dough and Dynamite | 1914 | 6 | 5 | Charles Chaplin | IMDb |
Gentlemen of Nerve | 1914 | 3 | 3 | Charles Chaplin | IMDb |
His Musical Career | 1914 | 4 | 4 | Charles Chaplin | IMDb |
His Trysting Place | 1914 | 5 | 4 | Charles Chaplin | IMDb |
Getting Acquainted | 1914 | 5 | 5 | Charles Chaplin | IMDb |
His Prehistoric Past | 1914 | 3 | 3 | Charles Chaplin | IMDb |
Tillie's Punctured Romance | 1914 | 4 | 4 | Mack Sennett | IMDb |
Friday, 21 July 2000
Filmstock 2014
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I had a blast at the Arizona part of Filmstock 2013 and I'm looking forward to the three days this year at the Harkins Valley Art in Tempe and the festival parties at Rúla Búla.
Here are all the films screening at each of the four events this year, with titles linking to my reviews and the IMDb pages added for reference.
Rating System
1 - Abysmal | 2 - Bad | 3 - Poor | 4 - OK | 5 - Good | 6 - Excellent | 7 - Classic

The Pursuit of Happiness | |||||
Sophie's Fortune | 2014 | Chris Cronin | IMDb | ||
The Joneses | 2014 | Alejandro Montaya Marín | IMDb | ||
The Things My Father Never Taught Me | 2012 | 6 | 5 | Burleigh Smith | IMDb |
Happily Ever After | 2012 | 5 | 5 | Yonni Aroussi & Ben Genislaw | IMDb |
The Princess and the Musician | 2014 | Alejandro Montaya Marín | IMDb | ||
Love Notes | 2013 | 5 | 5 | Ryan Scheer | IMDb |
S is for Bird | 2012 | Matt Sadawski | IMDb | ||
Mean Teddies | Tyler Novo | n/a | |||
SuperFuzz | 2013 | 6 | 6 | David Towles-Moore | IMDb |
Student Shorts Showcase | |||||
Title | Year | H | D | Director(s) | IMDb |
O-Star | 2014 | Dima Otvertchenko | IMDb | ||
Rabbit and Deer | 2013 | Péter Vácz | IMDb | ||
Dirty Laundry | 2013 | 4 | 5 | Gustavo Martin | IMDb |
First Lesson in Love | 2012 | 5 | 5 | Tomer Werechson | IMDb |
12 Likes | 2013 | Anne Chlosta | IMDb |
Short Docs, Big World | |||||
Title | Year | H | D | Director(s) | IMDb |
A Beautiful Waste | 2012 | 5 | 5 | Jon Kasbe | IMDb |
Keeper of the Mountains | 2013 | 5 | 5 | Allison Otto | IMDb |
Backyard | 2013 | Deia Schlosberg | IMDb | ||
Wild New Brave | 2014 | Oakley Anderson-Moore | IMDb |
The Human Experience | |||||
Title | Year | H | D | Director(s) | IMDb |
Ballad of the Boatman | 2014 | Andy Kastelic | IMDb | ||
For Lotte | 2013 | Viviane Andereggen | IMDb | ||
Puget Sound, WA | Djochoua Belovarski | n/a | |||
The Last Piper | 2013 | 4 | 4 | Iain Forbes | IMDb |
Inseparable | 2007 | 6 | 6 | Nick White | IMDb |
Fix | 2014 | Colton Moyer | IMDb | ||
Insecurity | 2013 | 5 | 5 | Robert Brink | IMDb |

Shorts in the Dark | |||||
Title | Year | H | D | Director(s) | IMDb |
A Stray | 2013 | 5 | 5 | Hayden Blades | IMDb |
Hellyfish | 2014 | Patrick Longstreth & Robert McLean | IMDb | ||
Melon Head | 2013 | Andy Fortenbacher | IMDb | ||
Mr Bear | 2011 | Andres Rosende | IMDb | ||
Call Girl | 2014 | Jill Gevargizia | IMDb | ||
Service | 2014 | Jerry Pyle | IMDb |
Short Docs, Big World | |||||
Title | Year | H | D | Director(s) | IMDb |
Strong | 2014 | Nelson Carayannis | n/a | ||
A Beautiful Waste | 2012 | 5 | 5 | Jon Kasbe | IMDb |
Ice | 2013 | Barry Stevenson | n/a | ||
Sky is Not Empty! | 2014 | Yaser Talebi | n/a | ||
Backyard | 2013 | Deia Schlosberg | IMDb | ||
Wild New Brave | 2014 | Oakley Anderson-Moore | IMDb |
Shorts for Laughs! | |||||
Title | Year | H | D | Director(s) | IMDb |
Mile High | Evan Nix | n/a | |||
Happily Ever After | 2012 | 5 | 5 | Yonni Aroussi & Ben Genislaw | IMDb |
Love Notes | 2013 | 5 | 5 | Ryan Scheer | IMDb |
Moving Buddies | Evan Nix | n/a | |||
Zugzwang | 2013 | Yolanda Centeno | IMDb | ||
The Joneses | 2014 | Alejandro Montaya Marín | IMDb | ||
Dollar Night | Marco Antonio Martinez | IMDb | |||
A Ride Towards the Sea | 2014 | Damien Stein | IMDb | ||
O-Star | 2014 | Dima Otvertchenko | IMDb |
Drama Salad | |||||
Title | Year | H | D | Director(s) | IMDb |
Moving Day | 2014 | Samuel Z P Thomas | IMDb | ||
Insecurity | 2013 | 5 | 5 | Robert Brink | IMDb |
Apparition | 2013 | 5 | 5 | Jahanara Saleh | IMDb |
Old School | 2013 | Ilker Çatak | IMDb | ||
Festus | 2014 | Shawn Snyder | IMDb | ||
The Last Piper | 2013 | 4 | 4 | Iain Forbes | IMDb |
Inseparable | 2007 | 6 | 6 | Nick White | IMDb |

The Pursuit of Happiness | |||||
Title | Year | H | D | Director(s) | IMDb |
Sign Heist | 2014 | Connor Rickman | IMDb | ||
Steve from Accounting vs The Shadow Dwellers | 2012 | 5 | 4 | Patrick & Paul Gibbs | IMDb |
The Joneses | 2014 | Alejandro Montaya Marín | IMDb | ||
O-Star | 2014 | Dima Otvertchenko | IMDb | ||
Insecurity | 2013 | 5 | 5 | Robert Brink | IMDb |
Shooting Oliver | 2013 | Daniel Clements | IMDb |
Shorts in the Dark | |||||
Title | Year | H | D | Director(s) | IMDb |
Mr Bear | 2011 | Andres Rosende | IMDb | ||
A Stray | 2013 | 5 | 5 | Hayden Blades | IMDb |
For Clearer Skies | 2012 | Alfredo Salvatore Arcilesi | IMDb | ||
The Routine | 2014 | Brian Groh | IMDb | ||
Asami | 2014 | Daniel Farkas | IMDb |
Short Docs, Big World | |||||
Title | Year | H | D | Director(s) | IMDb |
Backyard | 2013 | Deia Schlosberg | IMDb | ||
Wild New Brave | 2014 | Oakley Anderson-Moore | IMDb | ||
Strong | 2014 | Nelson Carayannis | n/a | ||
Ice | 2013 | Barry Stevenson | n/a | ||
Not Anymore: A Story of Revolution | 2013 | Matthew Vandyke | IMDb | ||
Ladies' Man | 2014 | Lee Quinby | IMDb |
Drama Salad | |||||
Title | Year | H | D | Director(s) | IMDb |
The Last Piper | 2013 | 4 | 4 | Iain Forbes | IMDb |
Balius | 2013 | Kenneth Larson | IMDb | ||
A Little Scar | 2014 | Jahanara Saleh | IMDb | ||
Inseparable | 2007 | 6 | 6 | Nick White | IMDb |
A Ride Towards the Sea | 2014 | Damien Stein | IMDb | ||
Scrabble | 2014 | 6 | 6 | Cristian Sulser | IMDb |
The Window | 2013 | Adam Morse | IMDb |

Flashback | |||||
Title | Year | H | D | Director(s) | IMDb |
SuperFuzz | 2013 | 6 | 6 | David Towles-Moore | IMDb |
Vinyl | 2010 | Jay Lee | IMDb | ||
Prometeo | 2012 | Ignacio F Rodó, Josep M Gifreu & Laia R San Juan | IMDb | ||
The Window | 2013 | Adam Morse | IMDb | ||
Next Day Delivery | 2010 | Jeremy Clayton & Bobby Shook | IMDb | ||
Paint Life Beautiful | 2012 | Brandon Barnard & Mark Susan | n/a |
Animated Shorts | |||||
Title | Year | H | D | Director(s) | IMDb |
The Prize Inside | 2014 | Reece Porter | IMDb | ||
Crocodile | 2014 | Wendi & Wenting Wu | IMDb | ||
To Edgar | 2013 | Ewa Łuczków | IMDb | ||
Welcome to Fantasy Island | 2014 | Lena Greene | n/a | ||
The Pride of Strathmoor | 2014 | Einar Baldvin | IMDb | ||
A Ride Towards the Sea | 2014 | Damien Stein | IMDb | ||
Pseudo Evolution | 2014 | Alexandre Juruena | n/a | ||
Really Bad Movie! | 2013 | Jasin Sloan | IMDb | ||
Chloé | 2014 | 4 | 4 | Quentin Nigues | n/a |
The Astronomer's Sun | 2010 | Simon Cartwright & Jessica Cope | IMDb | ||
Jinxy Jenkins, Lucky Lou | 2014 | Michael Bidinger & Michelle Kwon | IMDb |
The Darker Side of Shorts | |||||
Title | Year | H | D | Director(s) | IMDb |
Scrabble | 2014 | 6 | 6 | Cristian Sulser | IMDb |
The Routine | 2014 | Brian Groh | IMDb | ||
For Clearer Skies | 2012 | Alfredo Salvatore Arcilesi | IMDb | ||
Red Stains | 2013 | Magdalena Lauritsch | IMDb | ||
Belly of the Whale | 2014 | 5 | 5 | Kyle Gerkin | IMDb |
The Only Man | 2013 | 6 | 6 | Jos Man | IMDb |
Mr Bear | 2011 | Andres Rosende | IMDb |
Fresh Off the Docs | |||||
Title | Year | H | D | Director(s) | IMDb |
Children of the Holocaust | 2014 | 6 | 7 | Zane Whittingham | n/a |
Slomo | 2013 | Joshua Izenberg | IMDb | ||
Be with Me | 2013 | 5 | 5 | Michael Terrill | IMDb |
The Fast and the Fun | |||||
Title | Year | H | D | Director(s) | IMDb |
O-Star | 2014 | Dima Otvertchenko | IMDb | ||
The Joneses | 2014 | Alejandro Montaya Marín | IMDb | ||
Bright Eyes | 2013 | 5 | 5 | Jamie Rivera | IMDb |
Should've Been an Engineer | 2011 | 5 | 5 | Jason Smart | IMDb |
Stolen Afternoon | 2014 | 5 | 5 | Aaron Kes | IMDb |
Sheltered Love | 2014 | Alex Italics | IMDb | ||
Focus | 2014 | 5 | 5 | Matt Chesin | IMDb |
Running Down Pathe | 2013 | Mateo Trujillo-Hobbs | IMDb |
Critically Acclaimed Docs | |||||
Title | Year | H | D | Director(s) | IMDb |
Wild New Brave | 2014 | Oakley Anderson-Moore | IMDb | ||
Strong | 2014 | Nelson Carayannis | n/a | ||
Ice | 2013 | Barry Stevenson | n/a | ||
Backyard | 2013 | Deia Schlosberg | IMDb | ||
Not Anymore: A Story of Revolution | 2013 | Matthew Vandyke | IMDb |
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