My favourite No Festival Required screening of the year is always the selection of short films shown at the Phoenix Art Museum. Here's Selection 2011. |
For a while, Makino and Stilwell talk about movement and the visuals we see highlight how much consistency transience really has. We see trains, overpasses and hotels, which look precisely the same regardless where they are, something neatly highlighted by a clever illusion of motion between the two halves of the split screen. Was it Stevie Wonder who always stayed in the same hotel chain, as the layout of the rooms is identical? The message seems to be that transience is comfortable because you don't have to commit. Permanence is another matter. Makino suggests that Tucson is a place where people go to hide or heal or start over. It's somewhere to settle and while there are many similarities drawn between the two locations, there's a major gap between them that highlights how serious permanence is. Beautifully shot, well composed and compared, I feel like there's more depth here to discover. I'd like a second run through to find out.
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