Thursday, 16 January 2020

Vicki (1953)

Director: Harry Horner
Writer: Dwight Taylor, based on the novel I Wake Up Screaming by Steve Fisher
Stars: Jeanne Crain, Jean Peters, Elliott Reid, Richard Boone, Casey Adams, Alex D’Arcy, Carl Betz and Aaron Spelling

Vicki Lynn is everywhere in New York City, it seems. The billboards highlight that she drinks Royal Tea, smokes Crowns and uses Caress facial creme by Daniele. When we get a glimpse of the real Vicki, she’s being taken out of a building on a stretcher with a tag already on her toe because she’s been murdered before the opening credits. This film noir is a look back at how she got there, both the skyline and the morgue, and why in what’s half a detective story and half a look into how stars are made. And, in keeping with the traditional Hollywood success story, we soon meet her in the real world, slinging coffee and waiting tables at Weber’s Cafeteria. She’s played by Jean Peters and, for all the glamour that’s soon visited onto her as she’s elevated to stardom, she looks her best here as a gorgous girl next door at Weber’s. Ironically, for someone so magnetic on the big screen, this came close to the end of her film career, as a different role was calling: that of being the second wife to billionaire Howard Hughes, whose seclusion she also adopted.

Hughes met Peters before she became a film star and they were in a highly publicised relationship when she made her first picture, playing the female lead opposite Tyrone Power in 1947’s Captain for Castile. They didn’t marry until 1957, though, after she had wed and divorced a Texan oilman, Stuart Cramer, in a matter of mere months. The character that she plays here appears to be as flighty and starstruck as Peters might seem from those details (but apparently wasn’t, remaining surprisingly grounded during a fourteen year run as a billionaire’s wife). Vicki is swept up by the interest of a number of men, most obviously Steve Christopher, PR agent to the stars. While this film is Vicki’s story, it’s told by Christopher, mostly in flashback, as he tries to convince the cops that he didn’t murder her. He found her, he made her name and he may even have loved her, but he professes that he had nothing to do with her death, even when badgered by policemen who grill him without mercy in a dark room under a strong light. Hey, it’s film noir.

Tuesday, 7 January 2020

The Manchu Eagle Murder Caper Mystery (1975)

Director: Dean Hargrove
Writers: Dean Hargrove and Gabriel Dell
Stars: Gabriel Dell, Will Geer, Anjanette Comer, Joyce van Patten, Vincent Gardenia and Barbara Harris

Sure, I’m remembering important people to film on what is or what would have been their one hundredth birthdays, but I want to do it by finding interesting and unusual movies that don’t get a lot of press. Today, the 7th January, would have been the centenary of Vincent Gardenia, an Italian actor so associated with New York that he was named the “King of Brooklyn” at the Welcome Back to Brooklyn Festival in 1989, became an honorary chief of the New York City Emergency Medical Service and was memorialised on the map of Brooklyn after it renamed a section of 16th Ave. to Vincent Gardenia Blvd. in his honour. The catch for us, of course, is that there are many New York Italian actors who quickly spring to mind: Robert de Niro, Al Pacino, Danny Aiello, Armand Assante, Sylvester Stallone... the list goes on. Unlike them, however, Gardenia was a New Yorker actually born in Italy: in Naples. He moved to the US with his family in 1922 at the age of two and started acting three years later in a local Italian language acting troupe.

Fast forward a hundred years and we can look back on his major career. Three films in which he appeared were nominated for the Academy Award for Best Picture (The Hustler, Heaven Can Wait and Moonstruck). He was personally nominated twice, fourteen years apart and both times as a Best Supporting Actor, for Bang the Drum Slowly and for Moonstruck. He didn’t win either, being beaten on the former occasion by John Houseman for The Paper Chase and on the latter by Sean Connery for The Untouchables, but he did win both an Emmy and a Tony. The former was awarded for a 1989 TV movie called Age-Old Friends, for which Hume Cronyn also won; the latter was for playing opposite Peter Falk in The Prisoner of Second Avenue. While we’re counting awards, he also picked up a pair of Obies for off-Broadway productions, in 1960 and 1970. Eagle-eyed readers might notice that Rue McLanahan also won an Obie in 1970; the two would go on to play wife swappers on an episode of All in the Family in 1972, before Gardenia became a regular.